{"id":1000,"date":"2025-01-23T19:47:00","date_gmt":"2025-01-23T18:47:00","guid":{"rendered":"https:\/\/carballointerplay.com\/?page_id=227"},"modified":"2025-04-15T09:06:07","modified_gmt":"2025-04-15T07:06:07","slug":"xurado-series","status":"publish","type":"page","link":"https:\/\/arquivo.carballointerplay.com\/cip25\/en\/xurado-series\/","title":{"rendered":"Series – Juries"},"content":{"rendered":"

Official jury<\/span><\/span><\/h2>
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BOB POP<\/h4>\n

Supermarket cashier, cultural penpusher, director of a multinational company, blogger, television critic, television and theatre director, screenwriter, actor, voyeur, intellectual star and, at some point, fake freelancer. But until Bel\u00e9n Gopegui called him author he didn\u2019t believe it. Since then he has published a novel, \u201cMansos\u201d (Caballo de Troya 2010 and Alfaguara 2021), two diaries, \u201cD\u00edas Ajenos\u201d (Somos Libros, 2017) and \u201cD\u00edas Sim\u00e9tricos\u201d (Alfaguara 2023) and three essays \u201cCuando haces Bob\u201d (Temas de Hoy, 2014), \u201cUn mi\u00e9rcoles de Enero\u201d (Turner, 2018) and \u201cComo las grecas\u201d (Debate 2024). A few years ago he co-directed \u201cLate Motiv\u201d by Andreu Buenafuente, and participated in \u201cEl Objetivo\u201d by Ana Pastor. Tam\u00e9n created and co-directed the HBO series \u201cMaric\u00f3n Perdido\u201d which won the Ondas Award for Best Comedy 2021 and the GLAAD Award 2021 for the best series in Spanish. Currently he collaborates on \u201cHoy por Hoy\u201d by Angels Barcel\u00f3 on Cadena SER, and on \u201c59 Segundos\u201d with Gemma Nierga on TVE, he is deputy director on \u201cLa Marea\u201d and is happily banned in \u201cEl Hormiguero\u201d by Pablo Motos. He debuted as a theater author with his monologue \u201cLos d\u00edas ajenos de Bob Pop\u201d, was awarded in the first edition of the Premios Tal\u00eda and toured theaters in Spain since pre-pandemic until post-pandemic times. Apparently he likes theater because he premiered another play in 2024: \u201cTalking doesn\u2019t work. You\u2019re welcome\u201d.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>

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ALBANTA SAN ROM\u00c1N<\/h4>\n

Actress, writer, and content creator. On social media, she reflects on cultural and social issues from a gender and feminist perspective. She co-hosts the podcast Keep It Cutre and collaborates on various formats, including RTVE\u2019s PLAY ZETA.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>

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JORGE BOQUETE<\/h4>\n

With over 10 years of experience in creating webseries, Jorge Boquete is one of the most prolific directors in Galicia in this type of content. 5 Mestre Mateo Awards and numerous selections and awards at international festivals have awarded his projects \u201cPeter Brandon\u201d, \u201cEl m\u00e9todo sueco\u201d or the recent \u201cA arte de ser (mal) pai\u201d, endorse the trajectory of this director, linked to Carballo Interplay since its inception. He currently directs the Galician Television contest \u201cGa\u00f1a a t\u00faa aldea\u201d.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>

<\/div>

Young jury<\/span><\/span><\/h2>
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CELIA EIRAS<\/h4>\n

Celia holds a degree in Journalism and Audiovisual Communication from the USC. She was the editor of the magazine Balea Cultural, a media outlet for which she wrote music, film, and television reviews, and through which she also collaborated on Sermos Galiza and O Salto Galiza. This is the third season of the podcast Violentos Anos Vinte, which focuses on the analysis and debate surrounding Galician music. More recently, shehas collaborated on Radio Galega\u2019s Diario Cultural Zeta, addressing topics related to music made by and for the country\u2019s youth. She has also created and produced music videos for various artists on the Galician music scene. She currently works as a television editor and spends her free time channel-surfing, giving opinions on terraces, attending all the concerts and festivals her budget allows, and DJing for her friends.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>

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LARA CAEIRO<\/h4>\n

Lara Caeiro is a director and art director, set designer, and stylist. She has worked with artists such as Fillas de Cassandra, Mondra, and De Ninghures. She combines her work in audiovisual media with her journalism career.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>

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ANT\u00cdA RODEIRO<\/h4>\n

Ant\u00eda Rodeiro Maseda (Noia, 2002) is a filmmaker committed to social cinema and the exploration of identity. Her work has been recognized at festivals such as OUFF24, where she won the first Fas Muvis Award with Xoves (2024), and at the OUIGO Festival, where Dinosaurios was a finalist. She also stood out at Xuventude Crea with O meu veci\u00f1o o monstro (2023) and Medrar (2024). Graduated in Audiovisual Communication from the University of Santiago de Compostela, she has continued her training in different fields to strengthen her role as a director. She has worked on screenplay, production and editing in projects such as Kalabuk\u00fa (2024) and O Corpi\u00f1o (2024). Ant\u00eda continues to explore direction and screenplay with the conviction that cinema is a tool for raising awareness, consolidating herself as an emerging voice in social cinema.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Official juryBOB POP Supermarket cashier, cultural penpusher, director of a multinational company, blogger, television critic, television and theatre director, screenwriter, actor, voyeur, intellectual star and, at some point, fake freelancer. But until Bel\u00e9n Gopegui called him author he didn\u2019t believe it. Since then he has published a novel, \u201cMansos\u201d (Caballo de Troya 2010 and Alfaguara...","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[169],"class_list":["post-1000","page","type-page","status-publish","hentry","category-visibilidade-programa"],"acf":[],"lang":"en","translations":{"en":1000,"gl":227,"es":999},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/arquivo.carballointerplay.com\/cip25\/wp-json\/wp\/v2\/pages\/1000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arquivo.carballointerplay.com\/cip25\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arquivo.carballointerplay.com\/cip25\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arquivo.carballointerplay.com\/cip25\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/arquivo.carballointerplay.com\/cip25\/wp-json\/wp\/v2\/comments?post=1000"}],"version-history":[{"count":6,"href":"https:\/\/arquivo.carballointerplay.com\/cip25\/wp-json\/wp\/v2\/pages\/1000\/revisions"}],"predecessor-version":[{"id":2047,"href":"https:\/\/arquivo.carballointerplay.com\/cip25\/wp-json\/wp\/v2\/pages\/1000\/revisions\/2047"}],"wp:attachment":[{"href":"https:\/\/arquivo.carballointerplay.com\/cip25\/wp-json\/wp\/v2\/media?parent=1000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arquivo.carballointerplay.com\/cip25\/wp-json\/wp\/v2\/categories?post=1000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}