Official jury
BOB POP
Supermarket cashier, cultural penpusher, director of a multinational company, blogger, television critic, television and theatre director, screenwriter, actor, voyeur, intellectual star and, at some point, fake freelancer. But until Belén Gopegui called him author he didn’t believe it. Since then he has published a novel, “Mansos” (Caballo de Troya 2010 and Alfaguara 2021), two diaries, “Días Ajenos” (Somos Libros, 2017) and “Días Simétricos” (Alfaguara 2023) and three essays “Cuando haces Bob” (Temas de Hoy, 2014), “Un miércoles de Enero” (Turner, 2018) and “Como las grecas” (Debate 2024). A few years ago he co-directed “Late Motiv” by Andreu Buenafuente, and participated in “El Objetivo” by Ana Pastor. Tamén created and co-directed the HBO series “Maricón Perdido” which won the Ondas Award for Best Comedy 2021 and the GLAAD Award 2021 for the best series in Spanish. Currently he collaborates on “Hoy por Hoy” by Angels Barceló on Cadena SER, and on “59 Segundos” with Gemma Nierga on TVE, he is deputy director on “La Marea” and is happily banned in “El Hormiguero” by Pablo Motos. He debuted as a theater author with his monologue “Los días ajenos de Bob Pop”, was awarded in the first edition of the Premios Talía and toured theaters in Spain since pre-pandemic until post-pandemic times. Apparently he likes theater because he premiered another play in 2024: “Talking doesn’t work. You’re welcome”.
ALBANTA SAN ROMÁN
Actress, writer, and content creator. On social media, she reflects on cultural and social issues from a gender and feminist perspective. She co-hosts the podcast Keep It Cutre and collaborates on various formats, including RTVE’s PLAY ZETA.
JORGE BOQUETE
With over 10 years of experience in creating webseries, Jorge Boquete is one of the most prolific directors in Galicia in this type of content. 5 Mestre Mateo Awards and numerous selections and awards at international festivals have awarded his projects “Peter Brandon”, “El método sueco” or the recent “A arte de ser (mal) pai”, endorse the trajectory of this director, linked to Carballo Interplay since its inception. He currently directs the Galician Television contest “Gaña a túa aldea”.
Young jury
CELIA EIRAS
Celia holds a degree in Journalism and Audiovisual Communication from the USC. She was the editor of the magazine Balea Cultural, a media outlet for which she wrote music, film, and television reviews, and through which she also collaborated on Sermos Galiza and O Salto Galiza. This is the third season of the podcast Violentos Anos Vinte, which focuses on the analysis and debate surrounding Galician music. More recently, shehas collaborated on Radio Galega’s Diario Cultural Zeta, addressing topics related to music made by and for the country’s youth. She has also created and produced music videos for various artists on the Galician music scene. She currently works as a television editor and spends her free time channel-surfing, giving opinions on terraces, attending all the concerts and festivals her budget allows, and DJing for her friends.
LARA CAEIRO
Lara Caeiro is a director and art director, set designer, and stylist. She has worked with artists such as Fillas de Cassandra, Mondra, and De Ninghures. She combines her work in audiovisual media with her journalism career.
ANTÍA RODEIRO
Antía Rodeiro Maseda (Noia, 2002) is a filmmaker committed to social cinema and the exploration of identity. Her work has been recognized at festivals such as OUFF24, where she won the first Fas Muvis Award with Xoves (2024), and at the OUIGO Festival, where Dinosaurios was a finalist. She also stood out at Xuventude Crea with O meu veciño o monstro (2023) and Medrar (2024). Graduated in Audiovisual Communication from the University of Santiago de Compostela, she has continued her training in different fields to strengthen her role as a director. She has worked on screenplay, production and editing in projects such as Kalabukú (2024) and O Corpiño (2024). Antía continues to explore direction and screenplay with the conviction that cinema is a tool for raising awareness, consolidating herself as an emerging voice in social cinema.